In the timeless tradition of Khovar art, Manik Chand Mahto captures the majesty of the elephant with striking simplicity. Utilizing only black paint against a pristine white canvas, Mahto’s masterpiece resonates with the essence of this ancient form. The elephant, revered for its strength and wisdom, emerges from the monochromatic depths, its form rendered with bold, fluid strokes that evoke a sense of movement and grace. Through intricate patterns and delicate details, Mahto imbues the creature with a profound sense of reverence, honoring both the animal’s significance in cultural lore and the enduring beauty of Khovar artistry.
Khovar painting, a cherished tradition among indigenous and artisan communities in the Hazaribagh region of Jharkhand, Eastern India, adorns nuptial chambers with its vibrant hues. Serving as a hallmark of the wedding season commencing in January and stretching until the onset of the monsoon in June, Khovar paintings breathe life into the ambiance. The term “Khovar” finds its roots in the local dialect, where “kho” signifies chamber or cave, while “var” represents a married couple. Thus, these intricate murals not only embellish the space but also symbolize the union of two souls embarking on their journey together.
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