Peahen in Khovar by Manikchand Mahto

In ManikChand Mahto’s rendition of traditional Khovar art, a peahen emerges with graceful simplicity against the contrasting black and white canvas. Rendered solely in black paint, the peahen’s form is delicately detailed, capturing its elegant contours and gentle demeanor. Each stroke of Mahto’s brush tells a story of tradition and cultural heritage, embodying the essence of Khovar artistry. The monochromatic palette enhances the peahen’s presence, drawing attention to its natural beauty and the artist’s skillful craftsmanship. Through this timeless artwork, Mahto pays homage to both the intricate artistry of Khovar tradition and the innate grace of the peahen. Khovar painting, a cherished tradition among indigenous and artisan communities in the Hazaribagh region of Jharkhand, Eastern India, adorns nuptial chambers with its vibrant hues. Serving as a hallmark of the wedding season commencing in January and stretching until the onset of the monsoon in June, Khovar paintings breathe life into the ambiance. The term “Khovar” finds its roots in the local dialect, where “kho” signifies chamber or cave, while “var” represents a married couple. Thus, these intricate murals not only embellish the space but also symbolize the union of two souls embarking on their journey together.