Flowers in Khovar by Manikchand Mahto (Z)

In the intricate tradition of Khovar art by ManikChand Mahto, a striking tableau emerges on the canvas, rendered solely in the stark interplay of black and white. Dominating the scene is a majestic flower, its petals unfurling proudly atop a sinuous stem that stretches to the canvas’s edge. Perched upon this botanical throne, a graceful peahen and a serene cat find respite, their forms captured in exquisite detail. Each stroke of black paint breathes life into the scene, evoking a sense of harmony between the natural world and the creatures that inhabit it, a testament to Mahto’s mastery of his craft.
Khovar painting, a cherished tradition among indigenous and artisan communities in the Hazaribagh region of Jharkhand, Eastern India, adorns nuptial chambers with its vibrant hues. Serving as a hallmark of the wedding season commencing in January and stretching until the onset of the monsoon in June, Khovar paintings breathe life into the ambiance. The term “Khovar” finds its roots in the local dialect, where “kho” signifies chamber or cave, while “var” represents a married couple. Thus, these intricate murals not only embellish the space but also symbolize the union of two souls embarking on their journey together.